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DRAW MODE AND THE AMAZING B KEY 5 Nov 2012 | 09:45 pm
Another dispatch from the basic-but-helpful department... Live has always been very good at providing a lot of functionality with a very small set of tools. In particular, Live only has two primary m...
THE TOTALLY BROWSETASTIC LIVE PACK 29 Oct 2012 | 11:39 pm
Don't try to tell me browsetastic isn't a word. I will cut you. Welcome back folks! As I gear up for the release of Live 9 and a major revamp of my website, I'm gonna start posting a few quick thoug....
LISTEN TO THE STEREO STUFF 1 Jan 2011 | 08:37 am
As I've mentioned in prior tips, the Utility device can be used to remove all of the mono information from a signal so you can hear the purely stereo information. Just set Width to 200%: Something I l...
MIX LOW, pt. 2 1 Jan 2011 | 08:07 am
I'm not a digital audio expert, but I read up on it a fair amount and do my best to understand it. I've come to the conclusion that headroom is a valuable resource at every point in the mix. This...
MIX LOW 1 Jan 2011 | 02:30 am
If you want your mixes to sound clear and open, I think two things are very important: keep the Master track out of the red, and keep your Master fader at 0db, or very close to it. If you're going...
ALBUM MASTERING 1 Jan 2011 | 02:14 am
if you're mastering a bunch of songs that are all going to be released together, a separate mastering session is recommended. A separate set lets you play with sequencing, and listen to the tracks in ...
COMPRESSOR: THE INSERT A SIGNAL ANYWHERE-ERIZER 31 Dec 2010 | 11:17 am
We're still talking about mastering here, but this tip includes a cool technique that you may find other uses for.. When I've inserted my mastering chain into the mix, I sometimes like to use Spectrum...
